Wednesday, September 26, 2007

Kind of Makes You Want to Visit Houston

I'm going to Houston tomorrow for a meeting, so I thought I'd highlight the Museum of Fine Arts, Houston briefly. Next stop is Las Vegas and then Northwest Arkansas, later in October.

What began in 1900 as a the Houston Public School Art League for the "encouragement of art and culture in the public school system," as turned into one of America's premier Art Centers. In 1924, the original MFAH building, designed by William Ward Watkin, opened its doors to the public, becoming the first art museum building in Texas and the third in the South. Later, in 1939, Miss Ima Hogg began to donate her extensive collections of Native American art, Frederic Remington paintings, and avant-garde European prints and drawings. Five years later, Edith and Percy Straus bequeath 87 paintings, sculptures, and works on paper, including Italian Renaissance masterpieces. By 1947, Sarah Campbell Blaffer begins donating major gifts of art, including paintings by Paul Cézanne and Edgar Degas.



Pablo Picasso's "Two Women Standing in Front of a Window," 1927.

A new era begins for the Museum of Fine Arts Houston, when The Robert Lee Blaffer Memorial Wing, designed by Kenneth Franzheim, opens, and Ludwig Mies van der Rohe is hired to design a 25-year master plan for the museum.

Just a few short years later, Miss Ima Hogg donates her 28-room home, Bayou Bend including the 14 acres of gardens, and her esteemed collection of American decorative arts and paintings.

Funded by Nina Cullinan and designed by Mies van der Rohe, Cullinan Hall opens in 1958, and the next 20 years see a wealth of diverse masterpieces added to the collections including: 23 Renaissance and Baroque paintings, a classical Roman bronze, Jackson Pollock's Number 6, and Pablo Picasso's "Two Women in Front of a Window."

The last 25 years have seen an exponential growth for the center. 1986 saw the opening of the Lillie and Hugh Roy Cullen Sculpture Garden, in 1991,Harris Masterson III and his wife, Carroll Sterling Masterson, donated their 4.5-acre estate, Rienzi, establishing a European decorative arts center at the museum, and just a year later the MFAH commissions Rafael Moneo to design the Audrey Jones Beck Building, and opens the Rosine Building, a 40,000-square-foot, state-of-the-art facility for archives, art storage, and conservation. Three years later, in 1994, the new Central Administration and Glassell Junior School of Art Building opens, designed by Carlos Jimenez Architectural Design Studios.

With the acquisition of 18 works by Jackson Pollock,in 1996, the MFAH becomes the repository of the second-largest collection of the artist's work in the world. The center also has one of the most extensive collections of works by Jasper Johns in the world.

Alfred C. Glassell, Jr., donates his world-renowned collection of African gold to the museum in 1997, and a year later Audrey Jones Beck donated 47 Impressionist and Post-Impressionist masterpieces.

By the turn of the Century, the MFAH permanent collection numbers more than 40,000 works of art, and ranks as the fifth largest exhibit space in the United States. Two years later the Center acquires Manfred Heiting's extraordinary collection of approximately 4,000 photographs by world-renowned photographers.

Highlights of 2003 include the first exhibition of the visionary quilts made by self-taught artists in Gee's Bend, Alabama; MFAH serves as the only U.S. venue for an ancient art exhibition from Afghanistan; develops the first U.S. exhibition of French masterworks from the State Pushkin Museum of Fine Arts in Moscow; and conceives the first U.S. retrospective of the history of Japanese photography. Also, Life Trustee Lee Jamail, and her husband, Joe, donate The Indian Triumph of Dionysus, a spectacular Roman sarcophagus from the late second century, in honor of Life Trustee Caroline Wiess Law.

The next year saw a bequest to the museum made by MFAH Life Trustee Caroline Wiess Law, which added an important group of 20th -century works to the museum's collection. The artists represented include many of the most important names in modern and contemporary art: Alexander Archipenko, Jean Arp, Lucio Fontana, Arshile Gorky, Adolph Gottlieb, Philip Guston, Hans Hofmann, Franz Kline, Willem de Kooning, Roy Lichtenstein, Joan Mir, Joan Mitchell, Robert Motherwell, Pablo Picasso, Mark Rothko, Clyfford Still, and Andy Warhol. Through the generosity of numerous of the museum's friends and Trustees, as well as several local foundations, Rembrandt van Rijn's vivid oil painting Portrait of a Young Woman was added to the museum's collection as well.

For more information on this incredible arts center, visit the MFAH website .

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Saturday, September 22, 2007

The Products of Solitude

Recently I had a few days to myself. Meaning, it was just me and the dogs. While I adore my beloved people, I am totally a person of solitude. This makes me a weirdo I know. I did some likely stuff, gardening, kayaking, walking the dogs, even organizing closets, and computer files. It's not so much about what I did with my time, for me, but what I learned from it. Okay, even weirder--relaxing down time is even better if I can learn something while pursuing recreational activities.

For instance, a little time catching up on email garnered a startling revelation. There were people out there who thought Katy Couric was just masticating and spewing out information provided to her by the government when she was on her supposed investigative reporting tour of Iraq. Gee, I thought the very same thing. Turns out the whole thing blew up into a cat fight of sorts through email, and a CBS bigwig had to personally apoligize to the blogger who first commented on this pablum reporting, according to Jason Lee Miller at Webpro News.



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I had some pretty interesting thoughts about shyness while I was paddling. People laugh today when I tell them I used to be shy. As a child I was, and I haven't thought about it much in a long time, but it has come to my attention that shyness, which I thought was an innate part of my personality, and may well be, is/was a way for me to control my environment. If someone was loud, bossy, nosy or just plain rude, I could avoid interaction by being shy. It wasn't something I planned or thought out, it was just a coping mechanism that I thought I had no control over. Many people suffer from shyness, and I say suffer, because it is limiting to the possibilities of life. Turns out, years later with some life experience in my belly, I've figured out there's very little I can control but myself, but retiring I don't have to be. Self-expression is a wonderful thing, and is carried out by people when they create art, or perform in many different ways. Look at this brilliantly colored and evocative digital painting by Canadian artist Pavel Rehurek to prove my point.



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One more product of my solitude to share. A few years ago, my daughter gave me a copy of "The Turning Point: The Little Things Can Make a Big Difference" by Malcolm Gladwell. The single most thing I identified with in the book, was that I identified with Gladwell's archetypical Maven Gladwell wrote of. I like to share information. Gee, wonder if that is why I became entrenched in a writing career before I left high school? Sharing information to me is like putting a message in a bottle, and if by chance someone happens to discover the message, then wow, what a thing. If you've never put a message in a bottle and thrown it into the sea, then you are missing out on one of life's great mysteries. When I was a child, we actually found one!

Which all flows down the stream to share a thought with you. We have been getting more and more traffic to the site, through social networking referrals to StumbleUpon, Digg.com, del.icio.us and others. If you like the site, or something in our blog. Please feel free to pass it on. It's a simple way to support the arts and the wonderful artists on our website. I liken it to putting a message in a bottle.

Have a wonderful day...Ruth Mitchell

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Friday, September 21, 2007

New from Portugal

One of these days, we are going to have to have a contest to see if you can guess whether the painting is created by a man or a woman. When I first viewed Rute Santos' work, and being unfamiliar with the Portuguese language, I assumed her work was created by a man. Maybe I'm a bad guesser, but I guessed wrong. This has happened to me before. Which begs the question, what part does gender play in art?
Rute has a wonderfully distinctive style, and a resume a mile long. I'm talking about the latest addition to buyoutsidethebox. com, Rute Santos from Lisbon, Portugal. She was educated at the IADE-Visual Arts, Design and Marketing Institute,and the National Society of Fine Arts, both located in Lisboa, and has participated in many exhibits. Read more about Santos:

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Wednesday, September 19, 2007

Off the Beaten Path

The potter's wheel hasn't changed much in thousands of years.

We recently toured artist's studios in Mt. View, Arkansas. For those of you who are not familiar with the little town, it is a national tourist destination due to the Ozark Folk Festival and Center, an Arkansas State Park, which keeps alive the traditions of the Ozark Mountain people. Once a year, visitors may tour the area's plethora of artist's studios during the three day "Off the Beaten Path" tour.

En route we came across this really nifty old "dog trot" house. The pioneers would build a simple one room log cabin and as they prospered, or needed more room, they would build another one room log cabin with a breezeway between the two. This configuration is known as a "dog trot," because the open air, but covered porch was a breezy place for dogs and people alike to relax out of the noonday sun. The economy of materials and simplicity of design, makes a "dog trot" house a very clever architectural solution. If the open porch got filled in, the house became a "dupledoor," which is German for two doors.

For an amazing literary story about the Ozarks, check out Donald Harrington's classic, "Architecture of the Arkansas Ozarks." I was privileged to meet him some years ago, and he is a very gifted author.--Ruth Mitchell

Want to have a little fun? Go to jacksonpollack.org.

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Monday, September 17, 2007

Places to See Before you Die





What compels some of us to see the world? I don't know. I hate leaving my house to even go as far as the grocery store, which is a pretty far trek from where I live. But once pried away from the nest, and my dogs, I love worldly adventures. A few years ago I purchased "1,000 Places to See Before you Die," by Patricia Schultz, and you can bet I'm highlighting all the places I've been with added notes, as both a reminder to myself and a legacy to my children, if any of them care.

When my father was alive, every time I shared with him I was going somewhere, he would always be able to say, "Oh, let me tell you about that place." This is one of my fondest memories of my father, and perhaps one of the reasons I got into travel writing a few years ago. I can't ever remember going somewhere that he hadn't already been. Which is a great metaphor for the generations, but more than that a legacy for me. It's one thing to go see one of the most spectacular places on earth, it is another thing to share it.

Artists have long taken an interest in certain scenic points of interest in the world, and for some artists this is thread which runs through the fabric of their art. Several artists represented on this site including George Wittenberg, and newcomer, photographer Jeri Burzin have these extraordinary places around the world as a central theme to their images. Recognition of a geographic place, or architectural icon, can bring an added dimension to an artwork. Take a look here and see if you agree.--Ruth Mitchell

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Wednesday, September 12, 2007

One of Life's Little Mistakes


It seems like one of life's little mistakes, the Edsel, is now a collector's item, garnering up to a $200,000 depending on how well the infamous 1950's Ford model is restored, and marketed. One of the biggest hypes and flops of all times, the Edsel was supposed to be the car of the future, but made a dismal showing the three years it was in production from 1958 to 1960. An innovate grill that didn't allow enough air flow into the engine, production on an assembly line that wasn't designed specifically for the car, as well as a starter button where the horn normally is, and which often froze up, made this car a failure despite the tremendous promotional campaign. The term "Edsel" actually appears in a few dictionaries as a term to describe failure.

The tremendously inflated cash value of this rare car does not surprise me. Aren't the most valuable coins the ones with flaws? That precept follows in furniture, antiques, dolls, and almost anything that people collect, which spans the realm of the human imagination. The items that are the most rare, with time, become the most highly sought after items for collectors.

Art collecting may be one of the aberrations to this trend. Yes, in many cases, if you are in the league of collecting art that sells upwards in the millions, rarity can affect the price, but an artist's reputation has much more play than scarcity. The really cool thing about collecting art, for the rest of us, we have the privilege to collect and possess art that we love for art's sake.

That's a freedom that we can relish!--Ruth Mitchell

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